“The Handels” A Saga

Again this week I’m doing a bit of creative writing with the help of Viewfromtheside’s writing prompt blog. This week’s prompt was “Handles.” I took it in a kind of odd direction. I hope you lie it…

Portrait of Georg Friedrich Händel Deutsch: Ge...

Portrait of Georg Friedrich Händel Deutsch: Georg Friedrich Händel (1733) Español: Georg Friedrich Händel en 1733 Français : Georg Friedrich Haendel en 1733 Nederlands: Georg Friedrich Händel Polski: G. F. Händel w 1733 roku Русский: Георг Фридрих Гендель (1733) Svenska: Georg Friedrich Händel (Photo credit: Wikipedia)

[Communiqué #2)

25 April, 2012

Dear Sirs,

I thank you for your very kind inquiry and your interest in my family. It is certainly gratifying to know that after so many years the Handel name has not been lost to the dusty pages of history.

I find your proposal intriguing to say the least. A major motion picture biography on my esteemed uncle would certainly prove both educational and entertaining for your audience. And, as you say, it would have a top rate sound track “built in”.

Indeed my uncle had a long and interesting life, and although he was notoriously private in nature he had many friends. His travels though out the continent and his intimate connections with nobility will no doubt titillate your viewing audience.

Yes, I am sure we can come to a most beneficial agreement as to your researching our family archives and as my uncle’s executress I can guarantee your access to many of his personal effects.

I am most anxious for this project to proceed to the next level, but for the integrity of the Handel name I must insist on having some over sight on the script and production. I have no doubt that you will want this film to be as biographically accurate as possible, and, as this is my most sincere wish, I’m sure we will have a most fruitful enterprise.

Yours most sincerely,

Johanna Fridericia Floerken

Westminister, London

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[Communiqué #3)

Date: 5.14.12

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

CC: Lester Jones, Amazing Productings, LLC.

Johanna,

So glad to have you on board with our little project. I’ll have our legal department write-up a contract and if all goes well we’ll get some researchers over to your side of the pond next month.

Yours,

Laurie

PS This is going to be a great movie!

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[Communiqué #53)

Date: 8.6.12

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

CC: Lester Jones, Amazing Productings, LLC.

Johanna,

Some really exciting news on the project…

We’ve got our first star lined up. Are you sitting down? Daniel Craig has agreed to play George Frideric Handel! And Anthony Hopkins has agreed to play the King.

The latest draft is attached.

What’s your availability next week? I need to set up some time to scout for locations.

Yours,

Laurie

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[Communiqué #78)

Date: 10.24.12

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

CC: Lester Jones, Amazing Productings, LLC.

Johanna,

I think you are really going to love this… We’ve reworked the concept to be cable network friendly. We’re in negotiations with Showtime and HBO right now and are feeling really good about it. This way we can expand the script to a multi episode format. We are thinking 6 or 8 part miniseries. That’s wonderful, isn’t it?

Yours,

Laurie

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[Communiqué #103)

Date: 11.30.12

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

CC: Lester Jones, Amazing Productings, LLC.

Johanna,

And we have a network! Hello HALLMARK!

I think you’ll find that Hallmark does a wonderful job bringing a really human side out of every story. We didn’t want all the sex and violence that the HBO and Showtime folks were demanding anyway.  This is going to be great.

Yours,

Laurie

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[Communiqué #158)

Date: 1.15.13

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

CC: Lester Jones, Amazing Productings, LLC.

Johanna,

Well, every production has its ups and downs, and I’m afraid the change from major release to miniseries has meant a change in schedule that didn’t work for our line up of stars. Mr. Craig and Mr. Hopkins have had to step away from the project. But I am 100% positive we’ll find some one just as dynamic.

— Laurie

PS You can stop looking for possible locations too. We’ll be filming at the studio here in Hollywood. It’s a cost thing.

————————————————–

[Communiqué #78)

Date: 4.13.13

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

Johanna,

Well we found our Young Handel… None other than Mr. Justin Bieber. The Biebs is looking to expand his acting cred and “The Handels” is just the right project for him. He’s all about the music.

Things are really looking up.

–Laurie

PS Lester is no longer Exec Producer on the project. (Not like he was doing any of the work, right?)

————————————————–

[Communiqué #109)

Date: 4.22.13

To: Johanna Fridericia Floerken
Westminster, London, England

From: Laurie Donlevi-Jones
Project Manager
“The Handels”
Hollywood, California, USA

Johanna,

I’m really excited about our the new stars we’ve lines up for the roles of adult Handel and the King… Eddy Murphy and Dick Van Dyke. I know the casting is a little edgy, but I think you’ll agree it is just perfect.

— Laurie

———————————————

[Communiqué #126)

Date: 5.23.13

To: Johanna Fridericia Floerken
Westminster, London, England

From: The Law Office of Ward, Huggins and Huggins

RE: “The Handels”

CC: Lester Jones, Amazing Productings, LLC.; Laurie Donlevi-Jones, Amazing Productings, LLC.

Dear Mrs. Fridericia Floerken,

Please be advised that the project known as “The Handels” as been put on hiatus for an undetermined amount of time…

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Pieter Neefs the Younger 5.22.13 Thought of the Day

Interior of a Cathedral

Interior of a Cathedral (Photo credit: Wikipedia)

Pieter Neefs, the Younger was born on this day in Antwerp, Belgium,  in 1620. Today is the  393rd anniversary of his birth.

Pieter  was one of five children born to Pieter Neefs the Elder and Maria Lauterbeens Neef.  Along with his brother, Ludovicus, he learned to paint from his father,  an established architectural painter. By 1640, when Pieter the Younger was 20 years old, he was working with his father and brother full-time, although he’d never gone through formal training or been registered at the guild hall.

Interior of a Church

Interior of a Church (Photo credit: Wikipedia)

The subject of most of the Neefs paintings was the interiors of the great churches of Antwerp. The grand interiors of a church allowed the Neefs to explore both perspective and light in their detailed paintings.

Their most frequent subject was the interior of Antwerp Cathedral; the details of sculpture, altars and paintings vary in accuracy, and sometimes the subject seems to be very freely interpreted. The Neefs also liked to depict the effects of artificial illumination in crypt-like spaces (in the manner of Hendrick van Steenwijck the younger). [Sphinx Fine Art . com]

The artist worked together, often on the same subject, so it is sometimes difficult to tell where one Pieter’s work ends and the next Pieter’s work begins.

English: Interior of a Gothic Church

English: Interior of a Gothic Church (Photo credit: Wikipedia)

But Pieter Neefs the Younger’s work makes …

a more reserved impression; their colouring is smoother, and they are not as dark in the shadows, while their drawing is sharper. Solely working as architectural painters, they had the figures added to the finished works by colleagues. [Dorotheum.com]

He died some time after 1675.

Interior of a Gothic Church

Interior of a Gothic Church (Photo credit: Wikipedia)


Bernie Taupin 5.22.13 Thought of the Day

English: Bernie Taupin attending the premiere ...

English: Bernie Taupin attending the premiere of The Union at the Tribeca Film Festival. (Photo credit: Wikipedia)

“Don’t let the sun go down on me.” — Bernie Taupin

Bernard John Taupin was born on this day in Sleaford, Lincolnshire, England in 1950. He is 63 years old.

Bernie was the middle son born to Robert and Daphne Taupin. His father was a farmer and stock man, his mother a nanny. He has an older brother, Tony. Little brother Christopher (aka Kit) came along 11 years after Bernie was born.

Bernie credits his mother and paternal grandfather for instilling him with an appreciation for literature, nature, history, music and poetry. Although Bernie didn’t have much interest in traditional education, he demonstrated an uncommon flair for writing.  [Bernie Taupin Biography]

At 15 he dropped out of school  and spent two years hopping from one dead-end job to the next in rural England. Then, in 1967, he saw an ad in New Musical Express. Liberty Records was looking for talent. He answered the ad. So did Reginald Kenneth Dwight (aka Elton John). The two joined forces to become one of the best song writing teams in the history of rock and roll.

Publicity photo of Elton John and Bernie Taupin.

Publicity photo of Elton John and Bernie Taupin. (Photo credit: Wikipedia)

With a musical partnership that has lasted longer than many marriages the John and Taupin have released 356 songs (more than “Lennon/McCartney and Jagger/Richards combined” [Elton John.com]  According to John Taupin makes it easy…

…He’s a very cinematic writer. I get a piece of paper [from him] and it has as story on it. Then I sit down at the keyboard and hope and pray that something is going to come out. Because the story that he’s telling affects what I’m hearing. [Ibid]

Although Taupin wrote with other musicians (Alice Cooper, Melissa Manchester and Heart to name a few) it was the songs he forged with Elton John that became the sound track to a post Beatles generation.

Their first hit was  1970’s Your Song. 

[OK I’m going to stop writing for a while and just let you listen to some of the best of Bernie and Elton… feel free to sing along and play air guitar/piano or drums as you wish]

Here’s Tiny Dancer

and Benny and Jets 

and Yellow Brick Road

and Saturday Night’s Alright for Fighting

and Philadelphia Freedom

and Sad Songs (Say So Much)

and Daniel

and Sun Go Down On Me

Bernie lives with his family on a working ranch in southern California where he breeds and trains cutting horses, hosts his own radio show, Bernie Taupin’s American Roots Radio, on Sirius/ XM Channel 30, and pursues a successful career as a painter. This year, “Beyond Words: An Exhibition Of Contemporary & Extraordinary Artworks By Famed Lyricist & Artist Bernie Taupin” has been touring select art galleries across America. [Elton John.com]


Albrecht Dürer 5.21.13 Thought of the Day

“What beauty is, I know not, though it adheres to many things.” — Albrecht Dürer.

Self-portrait, 1498. Museo del Prado, Madrid. ...

Self-portrait, 1498. Museo del Prado, Madrid. Oil on wood panel, 52 cm x 41 cm. (Photo credit: Wikipedia)

Albrecht Dürer was born on this day in Nuremberg, Germany in 1471. Today is the 542nd anniversary of his birth.

Dürer  was the third child born to Albrecht and Barbara Dürer. Although the family name “Dürer” means door maker, his father was actually a successful goldsmith. It was from his father that young Albrecht learned to work with gold and to draw. His talent for art led him to an apprenticeship with Michael Wolgemut at 15 and then to travel throughout Europe to study with various artist.

Durer self-portrait at the age of thirteen. , ...

Durer self-portrait at the age of thirteen. , Albertina. (Photo credit: Wikipedia)

Dürer’s skill set grew to include woodcuts, water colors, print making, drafting, and oil painting.

 Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range, and provided the imagery with a new conceptual foundation. [The Metropolitan Museum of Art]

He came back to Nuremberg in 1495 and opened his own workshop. He did three woodcut series, Passion, Apocalypse and Life of the Virgin  in the next few years. His work included both sacred and secular subjects.

…Such as the so-called Master Engravings featuring Knight, Death, and the Devil (1513; 43.106.2), Saint Jerome in His Study (1514), and Melancholia I (1514; 43.106.1), which were intended more for connoisseurs and collectors than for popular devotion. Their technical virtuosity, intellectual scope, and psychological depth were unmatched by earlier printed work. [Ibid]

Dürer’s time abroad, especially in Italy, influenced his ascetic chiefly in the areas of persepective, proportion and human anatomy. He wrote the Four Books on Human Proportion.

c. 1490-1493

c. 1490-1493 (Photo credit: Wikipedia)

In 1512  the Holy Roman Emperor Maximilian 1 became Dürer’s patron.

What Dürer was angling for was a lifetime imperial pension, and he got one, though at the price of taking on hackwork. Along with other court artists, he was ordered to design an array of ceremonial stage props to enhance the emperor’s status visually. Most of this stuff — chariots, arches, froufrou armor — was just shiny, expensive junk, and a waste of creative energy. [NYTimes.com]

That didn’t stop him from pursuing Maximilian’s successor, Charles V., as his next patron. About this time he also became interested in the teachings of Martin Luther.

Late in his life he painted his final masterpiece,  two large panels for the Nuremberg town hall, The Four Apostles. In one panel St. John is in the foreground with St. Peter in the background, in the second panel St. Paul takes the foreground with St. Mark in the background.

The Four Apostles

The Four Apostles (Photo credit: Wikipedia)

The Four Apostles

The Four Apostles (Photo credit: Wikipedia)

He died in 1528 at the age of 56.

Dürer's Rhinoceros, a fanciful 'armoured' depi...

Dürer’s Rhinoceros, a fanciful ‘armoured’ depiction. (Photo credit: Wikipedia)


Summer fun with Baltimore Shakespeare Factory

The BSF's Summer with Shakespeare: Performance Workshops take place  July 29 - Aug 16.

The BSF’s Summer with Shakespeare: Performance Workshops take place July 29 – Aug 16.

If you:

  • live near Baltimore, Maryland,
  • are kid about to start 3rd to 12th grade,
  • and you like Shakespeare

… boy do I have a deal for you!

The Baltimore Shakespeare Factory is offering three, one week long workshops that will allow kids to experience what it might be like to travel back in time to the 1600s and be a part of the fun and excitement of Shakespeare’s acting company–The King’s Men. The BSF’s  “Summer with Shakespeare:Performance Workshops” will help students develop acting skills, make friends, build confidence, and develop an appreciation and understanding of Shakespeare’s work.

The campers will:

  • Work one-on-one with professional actors and educators
  • Learn and practice the same acting techniques Baltimore Shakespeare Factory uses in its productions
  • Study Shakespeare’s poetic language in ways that make it easy to understand, and learn how to use to enrich performance
  • Bring some of Shakespeare’s most famous characters to life!

“Shakespeare is a wonderful platform to get the kids active and engaged in group activity that stretches their imaginations as well as their ability to interpret complex language.  And it is a ton of fun!” says Wendy Meetze, Director of Education for the BSF.

This is the second year for the camp in Baltimore City (the camp is held in the Meadow at Evergreen House on Charles). The group, which began in Carroll County, hosted a similar camp starting in 2006 and have taught over 500 students. That Carroll County camp is still going strong on the campus of Century High School.

Students come in all shapes, sizes and from various backgrounds and skill levels. “Kids who are interested in theatre are especially attracted to the workshops” says Meetze, but “we truly believe there is no “typical” Shakespearean student or audience member. Shakespeare wrote for EVERYONE in his time, from peasants to princes.”

The camp will offer a small group setting with lots of one on one coaching. As a non-musical theatre performance camp the focus is squarely on the script, something that sets this camp apart from other performing arts camps in the area. “While the outcome is a production, the curriculum is a healthy mix of various skills needed to make that production a reality,” said Meetze. The campers perform their production prior to the professional company’s Friday performance. “We find the kids learn so much more by comparing and contrasting their version to a full production. There have certainly been occasions where our professional actors have discovered something new during the student’s performance!”

For more information on the camp, including a link to register  CLICK HERE.

Summer clipping

The Baltimore Shakespeare Factory  is dedicated to bringing the works of William Shakespeare to life for audiences of all ages and backgrounds. In Shakespeare’s time (1564-1616), the theater was accessible to everyone, and The Factory prides itself on continuing that tradition by presenting professional quality work at affordable prices.

This year, the group, which is a 501(c)3 non-profit organization, will present Hamlet and Mid Summer Night’s Dream this summer in the Meadow at Evergreen House on Charles Street and at other locals around town.  Click HERE for Hamlet’s schedule. Click HERE for Mid Summer’s Schedule.

Factory productions bring Shakespeare’s works to life in a way that is accessible to modern audiences without compromising the cornerstone of their artistic and literary merit—Shakespeare’s original language. The Baltimore Shakespeare Factory is built on a love of language, and productions are designed to not only help audiences understand Shakespeare’s words, but to love them, too.

This year the BSF launched it’s “4 free, 4 ever!” campaign which hopes to raise $750,000 by April , 2016–the 400th anniversary of Shakespeare’s Death> This will allow the group to present its shows at no cost to the public the following season.

Play on 4 free


Muffin Monday: Rhubarb Delight Muffins

Rhubarb Delight Muffins

IMG_4969

Ingredients:

  • 1/2 C. Brown Sugar

IMG_4936

  • 3/4 C. Demerara Sugar  (You could just use 1 1/4 Brown Sugar if you don’t have the Demerara Sugar)

IMG_4937

  • 1/2 C. Vegetable oil

IMG_4907

  • 1 Egg

IMG_4939

  • 2 1/2 C. Flour

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  • 2 tsp. Baking Soda
  • 1/2 tsp. Salt

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  • 1 C. Milk

IMG_4906

  • 2 tsp. Vanilla

IMG_4540

  • 1 1/2 C. Rhubarb (finely diced)

IMG_4941

Topping Mixture:

  • 1/4 c White Chocolate Chips
  • 1/2 Almonds
  • 1/2 C. Sugar
  • 2 T. Butter

IMG_4954

Procedure:

1. Pre-heat oven to 350 degrees. Put muffin pants into the muffin tin and spray lightly.

2. Mix the first four ingredients together (the Sugars, Oil and Egg)

IMG_4940

3. Add Flour,Baking Soda and Salt  all at once.

IMG_4947

4. Combine Milk and Vanilla in a measuring cup.

5. Add Milk to the batter and stir until completely mixed.

6. Fold in the diced Rhubarb.

IMG_4952

7. Divide the batter evenly amongst the muffin cups. (This recipe made 12 large muffins.) Set aside and make the Topping.

8. In the measuring cup you used for the milk and vanilla melt the butter.

9. Grind the Almonds in a blender or nut mill.

10. Combine the Nuts, Sugar and ground Almonds together in the measuring cup. Add the White Chocolate Chips.

IMG_4958

11. Spoon the topping onto the muffins, dividing evenly.

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This is what one of the muffins looks like pre-baked

12. Bake for 25-30 minutes. Using the toothpick test to determine if they are done.

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13. Remove from oven and let cool for 5 minutes before transferring muffins to a cool surface. Let cool for an additional 5 to 10 minutes before you enjoy.

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Sorry these muffins aren’t very healthy. I’m going to try to make them again with out so much sugar. But every spring the god’s give us rhubarb and you’ve got to do something with it, right?  Your house will smell amazing while these little darlings are baking. And the will power you show by not munching on them the second they come out of the oven will off set the will power you don’t show by  indulging in their sweet wonderfulness (maybe twice.)

These are simply fantastic muffins and would make a great dessert.

They are awesome on their own, but if you want the ultimate treat you could add one to a bowl of black cherry ice cream and just go straight to heaven.

IMG_4973

Serving suggestion.

 

 

 


Just saying … this is post 401.

400

Yea, so… 400 posts, 34,854views, 594 comments and 234 followers on Word Press (plus a bunch more on Facebook).

I’m coming up on my 1st anniversary (May 25th) as a blogger and I’m really pleased that I haven’t skipped a single day!

I’m considering some changes — my initial goal of “just write something every day” has been achieved, and I’d like to focus more on my creative writing. So I’ll probably only do a Thought of the Day bioBLOG when I find some one really interesting who is having a birthday. But, I am enjoying the recipe blog posts (you seem to like them too, I get my best responses on Muffin Mondays) and Secondary Character Saturdays…  so I’ll keep those up.

What do you think?

Has the experiment been a success?

What was your favorite bioBLOG? (I think mine was Queen Min of Korea, but I really enjoyed all the bios where I learned about some one new.)

Your feed back is really important to me and I can’t thank my readers, followers and  commenters enough. Thank you  x  infinity guys!

 

Cheers,

Rita (who loves to write)

 


Secondary Character Saturday: Sean Bean: Odysseus

Today is week three of Sean Bean month on Secondary Character Saturday! . Click HERE  to see the blog on Boromir or HERE for the bog on Ian Howe (from National Treasure). Today’s blog owes a special thanks to my rather amusing and sarcastic family. They had a lot of fun “helping” me write all about Odysseus. Enjoy!

——————————————————-

Speak to me oh sages, oh great Athena, Keeper of Wisdom, that my words may bring to life the tale of  (Sean Bean as) Odysseus, that hero of old.

WHO:  Odysseus

[Image courtesy Fanpop.com]
[Image courtesy Fanpop.com]

FROM: The Iliad and The Odyssey and the movie TROY

BY The Iliad and The Odyssey were written by Homer,  The Iliad was roughly adapted  for the screen and renamed “Troy” by  David Benioff

WRITTEN / RELEASED:  The epic poems were “written 800 B.C.E” [The Internet Classics ]; The movie came out in 2004.

PROS: Odysseus is …brave, smart, creative, loyal, realistic, cunning, and an eloquent speaker. He’s good with a weapon and never gave up. He (at least as played by Sean Bean) looks fine in a leather skirt. And he had a large book written about him that we got to read in high school.

The Resourceful Odysseus,… was the trusted advisor and chief lieutenant of Kings Menelaus and Agamemnon throughout the course of the war.  He would fight at the forefront of battle, restore order to the camp when necessary, and his speeches strengthened the resolve of the Greek soldiers to continue their struggle against the Trojans.  When Achilles fell in battle, it was Odysseus who fought his way through the hordes of enemy soldiers and retrieved his body.  At the funeral games following Achilles’ burial, Odysseus defeated Ajax the Greater in a wrestling match to win the title “Bravest of the Greeks”. [Bad Ass of the Week]

CONS: He’s stubborn and a bit quick tempered (just ask the suitors). He went over budget on the Trojan “Horse”  and it doesn’t even LOOK real. He gets along a little too well with the “ladies.” He doesn’t eat bacon — when any chef can tell you EVERYTHING is more epic with bacon. He had a large book written about him that we  HAD to read in high school.

Dispute between Ajax and Odysseus for Achilles...
Dispute between Ajax and Odysseus for Achilles’ armour. Attic black-figure oinochoe, ca. 520 BC. Kalos inscription. (Photo credit: Wikipedia)

MOST SHINING MOMENT: By inventing the Trojan Horse and bravely leading the men inside it he was the game changer in the Trojan War. One does not simple walk into the gates of Troy, you need a plan, and, Odysseus’ plan was both bold and brilliant.

LEAST SHINING MOMENT: Getting drunk with Calypso. Doh!

WHY SEAN BEAN IS SO GOOD IN THE ROLE: In the movie TROY the focus and camera stay sharply on a buffed and bulging muscles of Brad Pitt and the dark eyes of Eric Bana. Our boy Sean Bean just barely makes secondary character status. But when he IS on screen he steals the scene. He’s the one person on the shores of Turkey who seems in touch with reality. And in a movie that strives for epic status he gives a very human performance. He’s open with his emotions. You can see every bit of angst on his face. With Pitt there  is a blankness akin to blandness (that led me, at least,  to boredom.) Maybe that was an acting choice on Pitt’s part — play the demi god with an air of detachment — but for me? I’d rather watch more of Odysseus’s story.

To read the Iliad on line click HERE.

To read the Odyssey on line click HERE.


Emergency Exit Strategy

This post is in response to a writing prompt from Viewfromtheside’s Blog  This weekend’s theme is “Amusing Consequences”.
Click here to go to ViewfromthesideS blog and read other entries.

Although based on a real story names have been changed and circumstances slightly altered.

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IMG_01542

Emergency Exit Strategy

Every one had to take the class. It was a core requirement for all Publications Design Master candidates… Writing and Design. A 5 hour behemoth that would ruin your Saturdays and winnow out the weak from the strong, W & D  was the class every one dreaded. This was the class where the project you so painstakingly nurtured for days would be literally torn to shreds by the professor on the the presentation board in a matter of seconds for reasons that seemed — at the beginning of the semester at least — completely random and mysterious.

You could enter the Pub Design program with either a writing or graphic design portfolio under your belt. So this class — Writing and Design — should have provoked equal fear from both sides of room.  I came with a notebook full of short stories and poems and a degree in creative writing. The  in-class critiques were based on what design you put up on the board, the writing portion was reviewed later, between classes. So the design, the part I was new to, was immediate — and brutal.

There were two schools of thought when it came to when you added this class to your schedule. The “Get some classes under your belt, and ease in to it” school of thought and the “Get it over with” school of thought. I fell under the second category.

So on the very first Saturday of my first semester of graduate school I lined up my new t-square, my virgin pad of tracing paper, my pencils and my X-Acto knife on the table furthermost from the door and took a seat.

Each large rectangular table had six round, padded stools around it. It was like bellying up to a bar, only there was no alcohol, no music, and there wasn’t a friend in site. In fact I didn’t know any one else in the room.

We started promptly. Course outlines… introductions… expectations… at about the on hour point they asked if we had any questions?

QUESTIONS? My quick look around the room confirmed that everyone was as overwhelmed as I was. No one would be stupid enough to raise their hand and ask a question.

But then the person next to me moved. She didn’t put her hand up, but she definitely changed her body posture to draw attention to herself. “I have a question.” She said in a loud clear voice. Then she went on to ask a long and complicated question that I didn’t understand and have totally forgotten.

It was at this point that I thought I’m sunk. I’m totally out of my league. The excitement of starting graduate school had been slowly eroding in the last hour, but with this bossy girl and her incompressible question I seriously started to wonder if I could quit now and get some of my money back.

The design professor (this class was team taught, so there was one design prof. and one writing prof.) seemed pleased by the inquiry. “Yes, Alissa.” The use of her name with out consulting the class list confirmed that she’d taken classes from him before. The use of his smile meant she’d actually done well in those classes. “I was just about to get to that.”

The look of confusion, dismay and the fact that I was about to be the first person in the room to give up and walk out must have been pretty clear on my face. I tried to take a deep breath and stop the flight impulse. As I s-l-o-w-l-y released the breath I looked up and saw that the man across from me, an ex-Marine in fatigues, had caught my eye. He gave me a stoic nod and the tiniest roll of his hooded eyes.

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Next up we were given a design exercise. A breeze for the experienced designers, a black cloud of confusion for the writers. We were each to come up with a concept sketch for the assignment, share it with our table mates and then present the best one on the board for critique by the rest of the class.

When design time was up Allissa took total control of the table with a fake friendly smile and a “Lets see what everybody’s got.” I pushed my sketch in the pile with a shrug. I knew it was crap. I didn’t know what I was doing.  Starting with the girl sitting on the other side of her, Allissa explained why each sketch wouldn’t work. She allowed for some discussion, and a few people had the confidence and knowledge to speak up, but she was a juggernaut. Time was running out as she approached the end of the pile (mine). She looked at it gave a little sad shake of her head then turned it upside down  with out discussion. Then she held up her sketch. “Here’s my idea, and this is why I think it embraces the concept.” She said it with so much confidence that no one bothered to argue with her. And really it was  a good sketch.

She sashayed up to the cork board and pinned her sketch up to those representing the other 5 tables and a half hour of discussion ensued.

I tuned out. I was tired and hungry and defeated. The chosen few at the front of the room sounded like they were talking in the “Blah, blah, blah” language spoken by the adults in a Charlie Brown Peanuts special. I wasn’t ready to be an adult. I wasn’t ready for this. I concentrated on how fast it would take me to pack my gear and bolt at the break.

Then, mercifully, it was time for lunch. I threw the supplies I had so carefully arranged on the table back into my bag, grabbed my t-square and headed to the door.

But there was a bottleneck at the exit. I wasn’t the only one as anxious for their half hour of freedom.

I felt someone move next to me. Someone big It was my Marine table mate.

He gave me another nod.

“Hey.” I said in greeting.

“First class?” He asked, guessing correctly.

First and only I thought. “Yep.” We moved a forward, closer to the door. Personal space zeroed out as the bodies in the queue compressed.  “You?”

“No, this is my third semester.”

We moved another step to the exit. I was almost free.

“It’s pretty intense.”

Before he could answer we were through the press at the door and into the wider expanse of the hallway.

“Hum.” He agreed. We got to the front door and out into the street.

It felt good to breathe again.

“You’ll feel better after you eat.” He told me knowledgeably.

But I wasn’t going to eat. I was going to flee.

He headed to Main Street at a brisk march. I watched as a gaggle of students parted to make way for him. A Red Sea to his  cammo Moses.

My car was in the green lot, the other way. I took a few steps toward my escape vehicle, away from conflict, away from struggle, away from growth.

Then my stomach growled.

I would feel better after I ate. I turned around an headed to the eateries on Main Street.

When I got back to the class room I went to the table closest to the door — as far away from the other table as possible, and close enough to the door that I could bolt if I changed my mind again. I asked a friendly looking girl if any one was sitting on the stool next to her. No one was.

I  put my bag down and introduced myself. When the Marine came in I nodded to another empty chair at this new, friendlier table. But he shook his head. He would soldier on at the old one… a braver man than I.

“Were you here for the first half of class?” She inquired. Her smile was wide and friendly and full of kindness.

“I was sitting over there.”

At that moment Allissa gave a chortle of laughter that reverberated in the room.

“Ohhh.” My new table mate said knowingly. “Yeah. Good move.”

It was a good move. That nice girl and I became best friends. I stuck with the class and with the master program.

And although I may not have learned a lot in the way of design concepts that day (those would come) I did learn several important lessons that day:

  •  You are in charge of your own talents, don’t let any one dismiss you, least of all that voice in the back of your head.
  • You never know who might be on the other side of the room. It might wind up being a life long bestie.
  •  Just because some one has a big voice and a smidgen of experience that does not mean they are the best leader.
  • You WILL feel better after you’ve had something eat.

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