Tag Archives: Baltimore Shakespeare Factory

Richard III is at it again!

Baltimore Shakespeare Factory Richard III promotional coaster. *

Baltimore Shakespeare Factory Richard III promotional coaster features the King’s crest and a White Boar, his symbol. *

Everybody’s favorite Shakespearian villain is haunting the streets of Baltimore again. This time at Baltimore Shakespeare Factory’s indoor performance space, The Great Hall Theatre at St. Mary’s on Roland Ave.

The Factory presents the Bard’s works as they were originally presented:

  • Universal lighting
  • Minimal sets
  • Music period to the time
  • Cross gender casting
  • And actors taking on multiple roles.

Given The Great Hall’s thrust stage and the the fact that they keep the lights up it is no wonder that as an audience you feel very engaged in the play. The players can see YOU as much as you can see them, and when Richard cracks some scheme or Elizabeth pleads to the heavens for mercy… they are talking to you.

This production snaps along at about 2 hours and 45 minutes (plus intermission) and stars Chris Cotterman as Richard. Cotterman is ruthless and –somehow– heartbreaking in the role. I (very unexpectedly) found myself (kind of) routing for the guy. Ian Blackwell Rogers– who won me over as Macbeth and Hamlet in past Factory productions — is delightfully oily as the power hunger Buckingham. And Lily Kerrigan, Kelly Dowling and Barbara Madison Hauck do justice to the trio of women (Lady Anne, Queen Elizabeth and Queen Margaret) who have their lives torn apart by Richard’s ambitions. The show is directed by Tom Delise.

You’ve got one more weekend to catch it as the show runs through April April 19.

Poster for Richard. *

Poster for Richard. *

 

 

*I was lucky enough to design the promotional materials for the Factory’s production.


July Creative Challenge: Shakespeare on the Grass

Ian Blackwell Rogers (Hamlet) in action.

Ian Blackwell Rogers (Hamlet) in action.

This Sunday I spent the afternoon at Meadow at Evergreen enjoying the Baltimore Shakespeare Factory’s performance of HAMLET.

I love to see Shakespeare live, and especially love to see it live outdoors, and super especially love to see it live outdoors the way Shakespeare’s audiences would have seen it 400 years ago. So I put aside my dislike for summer weather and bugs (I came prepared with bug spray, a sun hat, sun screen and lots of ice water) and headed into Baltimore for some murder and mayhem — Tudor Style.

The body count mounts as the play winds down.

The body count mounts as the play winds down.

Tom Delise, The Factory’s Artistic Director and the director of this production, used a light touch when it came to staging. A single set piece standing in for Elsinore Castle rises from a simple wooden platform.  Three red curtains  allow the actors access on and off stage. But Delise has his actors using all of the Meadow, so the actors are moving up and down aisles and entering from behind the audience too.

Unlike the 1,500 to 3,000 people who went to see the original play in the Globe Theatre, audience members in the Meadow have an intimate connection with the actors. Engaging the audience is one of The Factory’s core principles, and at times it felt like Hamlet, Ophelia, Gertrude and the rest were talking right to me. That really draws you into the action, and gives you a stake in what happens in the plot.

Ophelia, about to be taken to the graveyard.

Ophelia (Ann Turiano), at peace at last, about to be taken to the graveyard.

Given that just about every high school student reads Hamlet for some English class between 9th and 12th grade, and most people have seen at least one film version of the play its a pretty good bet that you’ll know the plot and at least some of the lines before the show begins. That’s helpful because this production is fast paced, and if you didn’t already have a little knowledge of what was going on you might get overwhelmed.  And when I say fast paced I mean tight, as in TIGHT. As  in sweetly, seamlessly: bam, bam, bam; scene, scene, scene. It’s no wonder they got this notoriously long play (it’s Shakespeare’s longest) down to about 2 hours 40 minutes. Very impressive. (Although the only “complaint” I have is that without breaking for scene changes I couldn’t CLAP! And I really wanted to clap.)

Ian Blackwell Rogers (Hamlet) and Jess Behar (Rosencrantz).

Ian Blackwell Rogers (Hamlet) and Jess Behar (Rosencrantz).

The Factory has several actors playing multiple roles. Hugh F. Hill, III was vain and a little evil as Claudius and wonderfully creepy as the zombie like Ghost. Frank Vince was funny as the annoyingly dotting father Polonius and as the pious Priest.  James Miller intense as Laertes and animated as the Player King. Jess Behar and Katherine Vary were wonderful as the sycophantic  Rosencrantz and Guildenstern. They also played Francisco and Bernardo. Jim Stimson is both in the ensemble and is lead musician for the group (he plays a mean lute and guitar). Poor Amy Parochetti and Chris Ryder played 12 roles between them!

Other actors had one role.

Kelly Dowling as Gertrude

Kelly Dowling as Gertrude

I liked Kelly Dowling’s tender/tough approach to Gertrude. And I loved the heart-break and surprise she brought to the stage when her character realizes what a mess her life suddenly has become.

Chris Cotterman (Horatio) learns that Hamlet is coming back to Elsinore.

Chris Cotterman (Horatio) learns that Hamlet is coming back to Elsinore.

Chris Cotterman plays my favorite character in the show, Horatio. It’s a tough role because he’s the best friend, the second guy. He can’t upstage Hamlet (literally) and Chris doesn’t. He plays the supporting role (both in the character’s life and on stage) perfectly.

Kelly Dowling (Gerturde) and Ann Turiano (Ophelia)

Kelly Dowling (Gerturde) and Ann Turiano (Ophelia)

Ann Turiano is lovely as Ophelia. Her confusion over familial duty and her suddenly rocky love life in the first half is tender and heartbreaking, but its her mad scenes in the second half that steal the show.

Ham Yurick

I last saw  Ian Blackwell Rogers as the title character in The Factory’s Macbeth. He brings the same energy and intensity here. It is hard to take your eyes off of him as you try to puzzle out what’s going on in that head of his. As the lines spill out of him at break neck speed he keeps you engaged and on point with the plot.

Larertes Ham

As hot as it was on Sunday I expected the actors to lose some gusto as the show went on, but the opposite happened. As they plowed into Acts Three, Four and Five they only got more intense. By the time Hamlet and Laertes were at each other’s throats my heart was pounding. And it didn’t have anything to do with the temperature.

Click HERE to read the Today in MD Theatre Guide  Review.


Summer fun with Baltimore Shakespeare Factory

The BSF's Summer with Shakespeare: Performance Workshops take place  July 29 - Aug 16.

The BSF’s Summer with Shakespeare: Performance Workshops take place July 29 – Aug 16.

If you:

  • live near Baltimore, Maryland,
  • are kid about to start 3rd to 12th grade,
  • and you like Shakespeare

… boy do I have a deal for you!

The Baltimore Shakespeare Factory is offering three, one week long workshops that will allow kids to experience what it might be like to travel back in time to the 1600s and be a part of the fun and excitement of Shakespeare’s acting company–The King’s Men. The BSF’s  “Summer with Shakespeare:Performance Workshops” will help students develop acting skills, make friends, build confidence, and develop an appreciation and understanding of Shakespeare’s work.

The campers will:

  • Work one-on-one with professional actors and educators
  • Learn and practice the same acting techniques Baltimore Shakespeare Factory uses in its productions
  • Study Shakespeare’s poetic language in ways that make it easy to understand, and learn how to use to enrich performance
  • Bring some of Shakespeare’s most famous characters to life!

“Shakespeare is a wonderful platform to get the kids active and engaged in group activity that stretches their imaginations as well as their ability to interpret complex language.  And it is a ton of fun!” says Wendy Meetze, Director of Education for the BSF.

This is the second year for the camp in Baltimore City (the camp is held in the Meadow at Evergreen House on Charles). The group, which began in Carroll County, hosted a similar camp starting in 2006 and have taught over 500 students. That Carroll County camp is still going strong on the campus of Century High School.

Students come in all shapes, sizes and from various backgrounds and skill levels. “Kids who are interested in theatre are especially attracted to the workshops” says Meetze, but “we truly believe there is no “typical” Shakespearean student or audience member. Shakespeare wrote for EVERYONE in his time, from peasants to princes.”

The camp will offer a small group setting with lots of one on one coaching. As a non-musical theatre performance camp the focus is squarely on the script, something that sets this camp apart from other performing arts camps in the area. “While the outcome is a production, the curriculum is a healthy mix of various skills needed to make that production a reality,” said Meetze. The campers perform their production prior to the professional company’s Friday performance. “We find the kids learn so much more by comparing and contrasting their version to a full production. There have certainly been occasions where our professional actors have discovered something new during the student’s performance!”

For more information on the camp, including a link to register  CLICK HERE.

Summer clipping

The Baltimore Shakespeare Factory  is dedicated to bringing the works of William Shakespeare to life for audiences of all ages and backgrounds. In Shakespeare’s time (1564-1616), the theater was accessible to everyone, and The Factory prides itself on continuing that tradition by presenting professional quality work at affordable prices.

This year, the group, which is a 501(c)3 non-profit organization, will present Hamlet and Mid Summer Night’s Dream this summer in the Meadow at Evergreen House on Charles Street and at other locals around town.  Click HERE for Hamlet’s schedule. Click HERE for Mid Summer’s Schedule.

Factory productions bring Shakespeare’s works to life in a way that is accessible to modern audiences without compromising the cornerstone of their artistic and literary merit—Shakespeare’s original language. The Baltimore Shakespeare Factory is built on a love of language, and productions are designed to not only help audiences understand Shakespeare’s words, but to love them, too.

This year the BSF launched it’s “4 free, 4 ever!” campaign which hopes to raise $750,000 by April , 2016–the 400th anniversary of Shakespeare’s Death> This will allow the group to present its shows at no cost to the public the following season.

Play on 4 free


Labour’s of Love’s

English: Title page of the first quarto of Lov...

English: Title page of the first quarto of Love’s Labours Lost (Photo credit: Wikipedia)

Love’s Labour’s Lost opened at the Baltimore Shakespeare Factory Friday night at the Great Hall Theatre at St. Mary’s Outreach Center on 3900 Roland Ave. The company moves to their outdoor space at the Meadow at Evergreen Museum and Library at 4545 N. Charles Street (between Loyola and Notre Dame) this weekend and runs thus August 5th.

The small company did a great job with this wordy show. The pacing was crisp, the comedy was spot on and the acting was tight. LLL is essentially a Shakespearian sit-com/rom-com and all the lovers on stage were delightfully witty. But this production really shines when the comedic characters strut onto the boards.  Chris Ryder’s Costard, Brian Hanson’s Boyet, Jess Behar’s Sir Nathaniel, Kerry Brady’s Holofernes, Kathryn Zoerb’s Moth and especially Ann Turiano’s Don Armado steal the show. The intimacy of the Factory and the way in which they involved the audience makes the comedy all the more engaging.

Contemporary songs add to the fun. The cast and director had a Q&A with audience members after the show to discuss how they brought the Bard’s play to life.

The cast, having partially changed out of their costumes sit at the edge of the stage for a Q&A.

 

The theatre at St. Mary’s Outreach Center has a thrust stage complete with balcony. The Baltimore Shakespeare Factory actors perform with out mics and with the audience lights up.

Later this season the group will present the Taming of the Shrew . For info or tickets call or email the Factory at info@theshakespearefactory.com or call 410-596-5036.


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