Tag Archives: William Shakespeare

Thought of the Day 7.18.12

Today I’m thinking about Shakespeare. Why? because I got to see Baltimore Shakespeare Factory’s Love’s Labour’s Lost last Friday and I’m going to see Chesapeake Shakespeare Company’s Romeo and Juliet this Sunday. Two very different plays and two very different approaches. How lucky am I to live in a city that offers two ways to experience the Bard?

So instead of the regular birthday tribute (Shakespeare’s birthday is April 23rd for any one who is keeping track) I give you… Shakespearian insults. Because you never know when you might need a really tell some one that they are “a flesh-monger, a fool and a coward.” (Measure for Measure).

An 1870 oil painting by Ford Madox Brown depicting Romeo and Juliet’s famous balcony scene.

Here are a few from Romeo and Juliet:

… He’s a man of wax
You kiss by the book
He heareth not, he stirreth not, he moveth not, the ape is dead
She speaks yet she says nothing
He is not the flower of courtesy
You rat catcher
A dog, a cat, a mouse, a rat to scratch a man to death
A plague on both your houses
Thou detestable maw
Thou womb of death

A scene from Love’s Labour’s Lost as put on by the Acting Co. of New York in 1974. Here the boys try to fool the girls into thinking they are a bunch of visiting Russians.

Here are a few from LLL:

Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer flies
Have blown me full of maggot ostentation:
I do forswear them.

They have been at a great feast of languages, and stolen the scraps.

From other Plays:

A most notable coward, an infinite and endless liar, an hourly promise breaker, the owner of no one good quality. (Alls Well That Ends Well.)

Thine face is not worth sunburning. (Henry V)

There’s no more faith in thee than in a stewed prune. (Henry V)

Thou art as loathsome as a toad. (Troilus and Cressida)

Thou art like a toad; ugly and venemous. (As You Like It)

I must tell you friendly in your ear, sell when you can, you are not for all markets.” (As You Like It.)

Thou art a flesh-monger, a fool and a coward. (Measure for Measure)

You secret, black and midnight hags (Macbeth)

Thou subtle, perjur’d, false, disloyal man! (The Two Gentleman of Verona)

“Thou art a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy worsted-stocking knave; a lily-liver’d, action-taking, whoreson, glass-gazing, superserviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way” (King Lear)

“Thou art a boil, a plague sore, an embossed carbuncle in my corrupted blood.” (King Lear)

“I’ll beat thee, but I should infect my hands.” (Timon of Athens)


Labour’s of Love’s

English: Title page of the first quarto of Lov...

English: Title page of the first quarto of Love’s Labours Lost (Photo credit: Wikipedia)

Love’s Labour’s Lost opened at the Baltimore Shakespeare Factory Friday night at the Great Hall Theatre at St. Mary’s Outreach Center on 3900 Roland Ave. The company moves to their outdoor space at the Meadow at Evergreen Museum and Library at 4545 N. Charles Street (between Loyola and Notre Dame) this weekend and runs thus August 5th.

The small company did a great job with this wordy show. The pacing was crisp, the comedy was spot on and the acting was tight. LLL is essentially a Shakespearian sit-com/rom-com and all the lovers on stage were delightfully witty. But this production really shines when the comedic characters strut onto the boards.  Chris Ryder’s Costard, Brian Hanson’s Boyet, Jess Behar’s Sir Nathaniel, Kerry Brady’s Holofernes, Kathryn Zoerb’s Moth and especially Ann Turiano’s Don Armado steal the show. The intimacy of the Factory and the way in which they involved the audience makes the comedy all the more engaging.

Contemporary songs add to the fun. The cast and director had a Q&A with audience members after the show to discuss how they brought the Bard’s play to life.

The cast, having partially changed out of their costumes sit at the edge of the stage for a Q&A.

 

The theatre at St. Mary’s Outreach Center has a thrust stage complete with balcony. The Baltimore Shakespeare Factory actors perform with out mics and with the audience lights up.

Later this season the group will present the Taming of the Shrew . For info or tickets call or email the Factory at info@theshakespearefactory.com or call 410-596-5036.