Category Archives: George Gershwin

Thought of the Day 10.15.12 P. G. Wodehouse

“I just sit at a typewriter and curse a bit.”“There is only one cure for gray hair. It was invented by a Frenchman. It is called the guillotine.”“I know I was writing stories when I was five. I don’t know what I did before that. Just loafed I suppose.”–P.G. Wodehouse

P. G. Wodehouse, Bolton's friend and collaborator

“I just sit at a typewriter and curse a bit.”

Pelham Grenville Wodehouse was born on this day in Guildford, Surrey, England in 1881. This is the 131st anniversary of his birth.

Wodehouse, called “Plum” as a child, spent much of his early life in the care of a gaggle of aunts and at boarding schools in England, while his parents lived in the Far East. Third of four boys, Wodehouse was close to his brothers.  He went to The Chalet School, Elizabeth College in Guernsey, Malvern House (near Dover) and finally at Dulwich College with his older brother Armine. He flourished at Dulwich where he played sports (especially boxing, cricket and rugby), studied the classics, sang and acted in the school’s theatricals, and of course, wrote.)

Psmith in the City

Psmith in the City (Photo credit: Wikipedia)

Upon graduation in 1900 ailing family finances meant he couldn’t go on to Oxford like Armine. Instead, Plum’s father got him a job in the London branch of the Hong Kong and Shanghai Bank. He wrote about his experiences at the bank in Psmith in the City, but he said he “never learned a thing about banking.”  In 1902 he gave up the financial farce and dove into journalism  with a job writing a comic column at The Globe newspaper. He moved to New York and published his first novel, The Pothunters the same year.  A Prefect’s Uncle; Love Among the Chickens; The Swoop; Psmith In the City; Psmith, Journalist; The Prince and Betty; and  Something New followed fairly quickly there after.

The Prince and Betty

The Prince and Betty (Photo credit: Wikipedia)

He also wrote for musicals. He penned the book for Cole Porter’s Anything Goes; the Gershwin’ s Oh Kay . He worked with Ira Gershwin on the lyrics for Rosalie. And he wrote dozens of musicals — generically called the Princess Theatre Musicals — with Guy Bolton and Jerome Kern. [For a complete list of Wodehouse musicals go to The Playwrights Database at doolee.com]   The Princess Theatre Musical are generally seen as a stepping stone that took the best of vaudeville and operetta and blended them into modern musical theatre. They transitioned

“… the haphazard musicals of the past to the newer, more methodical modern musical comedy … the libretto is remarkably pun-free and the plot is natural and unforced. Charm was uppermost in the creators’ minds … the audience could relax, have a few laughs, feel slightly superior to the silly undertakings on stage, and smile along with the simple, melodic, lyrically witty but undemanding songs” [Bloom and Vlastnic Broadway Musicals: The 101 Greatest Shows of All Time]

My Man Jeeves

My Man Jeeves (Photo credit: Wikipedia)

Starting with My Man Jeeves in 1919 Wodehouse published the series of books for which is he best known, The Jeeves and Wooster books.  Here’s a clip from the 1990 Granada Television production of Jeeves and Wooster starring Hugh Laurie and Stephen Fry:

He also wrote the Blandings Castle series about a fictional castle with Lord Emsworth and his prize-winning pig, the “Empress of Blandings.”

Since he and his wife, Ethel Wayman, were officially residents of both England and the US they were being taxed by both countries. To alleviate the tax burden they moved to France in 1934. The Wodehouse’s remained in France when the Nazi troops moved in. Wodehouse was interned as an “enemy alien” eventually landing in Tost, Upper Silesia, Poland. He later quipped of  his ‘lodgings’ “If this is Upper Silesia, what on earth must Lower Silesia be like?” He entertained his fellow prisoners with dialogues and wrote during his two-year internment (he completed one novel and started two more). He was released just prior to his 60th birthday when a German friend from his Hollywood days, Werner Plack, approached him about doing a broadcast for the Americans describing his life as an internee.  America was not at war with Germany yet, and he had received many letters of encouragement from his fans in the US while in the camp. He saw this as a way to thank them. And, Wodehouse claimed,  he was simply reflecting the “flippant, cheerful attitude of all British prisoners.” [the Guardian]  in the broadcasts. But the British public didn’t see it that way, and neither did MI5. He was interrogated for suspected collaboration with the Germans — something that shocked the aging author. “I thought that people, hearing the talks, would admire me for having kept cheerful under difficult conditions,” [ibid] Wodehouse maintained that he never had intended to aid the enemy. But the incident left a bad taste with both the Wodehouses and the British public. The author moved to the US in 1945, and never went back to England.

Wodehouse died in 1975.

books - wodehouse

books – wodehouse (Photo credit: rocketlass)


Thought of the Day 9.26.12 George Gershwin

Life is a lot like jazz.. it’s best when you improvise.
 –George Gershwin
English: George Gershwin, 28 March 1937 Azərba...

English: George Gershwin, 28 March 1937 Azərbaycan: Corc Gerşvin, ABŞ bəstəkarı, 28 mart 1937 Español: George Gershwin, 28 marzo 1937 (Photo credit: Wikipedia)

Jacob Gershvin was  born on this day in Brooklyn, New York in 1898. Today is the 114th anniversary of his birth.

His parents were Russian Jewish emigrants. He had three siblings, Ira, Arthur and Frances. His parents bought a piano and paid for lesson for Ira, but it was George who took up the instrument. At 15 he left school and began to work at New York’s Tin Pan Alley. (He changed his name George Gershwin when he entered the professional music world.) He sold his first song, “When You Want ‘Em, You Can’t Get ‘Em; When You Have ‘Em, You Don’t Want ‘Em,” for $5.

Music theatre folk-lore has it that one day Gershwin was performing his composition “Swanee” at a party when Broadway star Al Jolson heard it. Jolson added the song to his show in 1919 and it became his signature song. Gershwin rose in the ranks of New York City song composers.

Gershwin collaborated with Arthur L. Jackson and Buddy De Sylva on his first complete Broadway musical, “La, La Lucille” [American Masters; George Gershwin]

He worked in Vaudeville for a bit, and in 1920 he teamed up with lyricist Buddy DeSylva for a one-act jazz opera, Blue Monday.

opening bars rhapsody in blue - gershwin

opening bars rhapsody in blue – gershwin (Photo credit: Wikipedia)

At 25 his Rhapsody in Blue for solo piano and orchestra debuted in New York. It combined Gershwin’s twin musical loves a jazz and classical. Bandleader Paul Whiteman commissioned the piece  and it was premiered in a concert titled “An Experiment in Modern Music on February 12th with Gershwin at the piano. His other “serious music” includes Concerto in F, An American Paris and his Second Rhapsody (originally New York Rhapsody.)

In 1924, when George teamed up with his older brother Ira, “the Gershwins” became the dominant Broadway songwriters, creating infectious rhythm numbers and poignant ballads, fashioning the words to fit the melodies with a “glove-like” fidelity. [Gershwin.com]

George and his brother Ira worked together in 1924 on the musical Lady Be Good. The show opened at the Liberty Theatre and starred  Fred Astaire and his sister Adele and featured the songs “Fascinating Rhythm, “O Lady Be Good” and,  “The Half of It, Dearie, Blues.”  You can hear Gershwin’s complicated rhythms and the jazz chords that he would build on in later compositions like Rhapsody and Blue in this  early recording of “The Half Of It, Dearie, Blues“…

Oh, Kay! a musical about an English Duke and his sister turned American bootleggers opened at the Princess Theatre in 1926. It featured the dance number”Clap Yo’ Hands,” the love duet “Maybe” and “Someone To Watch Over Me“.

Funny Face opened in 1927, again with the Astaires in the lead. Songs included “S’Wonderful”, “My One and Only,” He Loves and She Loves” and “Let’s Kiss and Make Up.” An updated of Funny Face opened on Broadway as “My One and Only” in 1983 and ran for over 700 shows. And Hollywood made a move starring Fred Astaire and Audrey Hepburn in 1957 called Funny Face and using four of the songs, but with a different plot.

In Strike Up the Band America declares war on Switzerland. The original production only made it to previews in Philadelphia in 1927, but the Gershwins revised it and brought it to Broadway in 1930.  The songs “The Man I Love,Strike Up the Band,” “Soon,” and “I’ve Got a Crush on You  were added to the Gershwin Song Book from the show. [If you ignore all the other links in this post, do yourself a favor and click on I’ve Got a Crush on You — I pulled the incomparable Ella Fitzgerald’s smooth as silk rendition of the Gershwin classic… and no matter how crazy / busy your day is… you deserve this 3min. 18sec. piece of musical heaven.]

True to its name, Show Girl, is all about show business. It starred Ruby Keeler as an up and coming show girl Dixie Dugan. Other “A list” performers like Jimmy Durante and Eddie Foy, Jr. filled out the bill.  It  was produced by Florenz Ziegfeld. Songs includeHarlem Serenade,” andLiza (All the Clouds’ll Roll Away)” [– Ruby Keeler was married to Al Jolson and he used to come see the show several times a week and sing this, the last song, out loud from the audience, lovingly, to her. ]

In 1929 he wrote the score for the Fox film Delicious. His “New York Rhapsody” (which later became his “Second Rhapsody”) and a five-minute dream sequence was all that the producers chose to use of his score. Gershwin was disgusted.

In 1930 Girl Crazy hit the stage. It starred Ethel Merman, and made a star out of Ginger Rogers [to read the Thought of the Day Ginger Roger’s profile click HERE.]. The show was made into 3 movies,  and while the films shared many of the stage show’s  most popular songs — like “Embraceable You,”But Not For Me” and “I’ve Got Rhythm” — the plots lines deviated from the original.

Of Thee I Sing premiered in 1931 and became the first musical to win a Pulitzer Prize in 1932.
This all-American political satire focuses on the election campaign and Presidency of John P. Wintergreen, whose party, lacking a viable platform, runs on love, promising that if elected he will marry the partner chosen for him at an Atlantic City beauty pageant. When he falls for Mary Turner (a campaign secretary who bakes a mean corn muffin) instead of Diana Deveraux (the fairest flower of the South and winner of the pageant), trouble begins! [MTI Music theatre International]

His ground breaking, genre defying Porgy and Bess came out in September of 1935. George wrote the music, DeBose Heyward wrote the libretto, and Heyward and Ira Gershwin wrote the lyrics. It was based on Heyward’s novel Porgy  Gershwin intended it to be a folk opera.  Although it is considered a modern masterpiece now, the show flopped when it premiered on Broadway. It had revivals in 1942 and 1952, but it and didn’t get the recognition it deserved in the  opera world until the Huston Grand Opera staged it in 40 years later (1976). Songs include “It Ain’t Necessarily So,” “Bess You Is My Woman Now,” and “Summertime.”

Disappointed in the reception that Porgy and Bess received on Broadway he moved to Hollywood. He and Ira worked with RKO movies to score Shall We Dance, Fred Astaire and Ginger Rogers’s 10th film. He won an Academy Award for his song “They Can’t Take That Away from Me” from the film.
Starting in early 1937 George Gershwin began to have blinding headaches and the sensation of smelling burned rubber. He was diagnosed with a brain tumor. He died  on July 11, 1937.